Posts Tagged ‘Religion’

The Hunted

“‘What do you think you’re playing at, Father?’

Without stopping to pause, Tacit powered a fist square into his face and the man went down in a motionless heap.’”

About :

Tacit Poldek is not a normal priest: he’s an inquisitor traveling through an alternate-20th century Europe to neutralize supernatural threats wherever he finds them. Today, he seeks the murderer of a priest in Sarajevo before that murderer can reach its next target: Archduke Franz Ferdinand. The Hunted is adult horror/alternate history written by Tarn Richardson and published February 20th 2015 by Gerald Duckworth & Co.

I ran across this series on Tammy’s terrific speculative fiction blog, Book, Bones & Buffy, and after reading the synopsis of book III (of which she was running a giveaway), I knew I had to try it out. Speculative fiction set against historical backgrounds can often balance entertainment with details that bring a period to life at the same time. Winning! Bonus: The Darkest Hand also deals with church history, something I find endlessly fascinating. Max Gladstone introduced me to the sort of fiction that explores both faith and magic in the same volume, and I’ve been addicted ever since. So finding the short story prequel to the series (available for free on Amazon!) was really exciting.

Thoughts :

“The pavement around the Priest was slick with blood, thick rivulets of darkening crimson snaking from the body drying fast beneath the hot Sarajevo sun.

A priest is dead. The crowd assumes he fell from a window, but Tacit Poldek sees the signs: someone—or something—threw this priest to his death. As Poldek sets off to find the murderer, we quickly learn that this violent brandy-swigging priest will stop at nothing to get answers. The story moves at a good clip and I enjoyed the chase, although the predictable outcome and the repetitive, violent nature of the priest’s investigative techniques left me feeling “meh” about the final third of the story. I think the constraints of the short story form hindered potential character development and clever plotting in The Hunted.

Overall :

However, this free prequel does provide a fast and helpful introduction to the author’s style, the world of the Darkest Hand series and to the hero (or, rather, antihero?). I’m certainly interested in continuing the series to find out more about this dark, gritty world.

Recommended To :

Anyone intrigued by the idea of mixing horror and urban fantasy, set against a background of 19th century alternate history. I would recommend skipping this prequel, though, and going straight to book I. This feels more like a prologue than a standalone story, mainly published to promise series potential.

Plot: 3/5
Worldbuilding: 4/5
Characters: 3/5
Writing: 3/5

***3/5 STARS

 

 

‘The woman is a danger…What she does is an abomination.’”

About :

Shai is a MaiPon Forger in a country that despises Forgers as abominations. When she gets captured during a routine palace art theft, she scrambles for an escape plan; but before she gets the chance to spring herself from prison, her captors change the game.

‘She is a valuable tool. This woman can save us. We must use her.’”

They visit her prison cell and demand that she complete a job for them, a job so secret that Shai knows she will be murdered at its close: reforge the emperor’s soul. The Emperor’s Soul is a Fantasy Novella written by Brandon Sanderson and published October 11th 2012 by Tachyon Publications. Hugo Award for Best Novella (2013), Goodreads Choice Award Nominee for Best Fantasy (2012).

Thoughts :

This novella opens with the emperor’s staff debating the fate of their captive Forger, and this first layer of cultural tension immediately intrigued me: What is Forging? Why do they hate it? And why must they use it to save the country?

Nearby in prison, Shai desperately seeks a way out of her cell before the next day’s scheduled execution, and her technique introduces readers to the unique Asian stamp magic of the novella:

To Forge something, you had to know its past, its nature.”

At this point (on like page four), the cultural tension and the magic already have me intrigued. Then the emperor’s councilors arrive and explain the situation to Shai and to readers: the emperor has been attacked and needs a new soul to survive.

Whoa. What?

They grant Shai a stay of execution for the next hundred days, during which she must create the soulstamp—a task that will involve a huge amount of complex, untested magic.

Her ambitious artist’s soul longs to create the perfect soulstamp, but she knows she must prioritize one thing over this primal urge toward faultless creation: she must escape before those 100 days are up or she will never leave the prison alive. The 100 day countdown heads each new section, and I totally felt the squeeze by the end of the novella.

Over the course of the story, Shai uses her magic in a variety of ways: transforming her room, making various stamps to reforge the emperor’s personality and history, etc. But a constant war rages inside her between the need to create a perfect soulstamp and the need to escape with her life. Her escape plan is just one more layer of mystery that kept me reading.

The final layer that got me fully invested in the story relates to the characters. In order to escape, Shai knows she’ll need to do something that makes her cringe: she’ll have to manipulate the elderly Arbiter Gaotana who visits her cell to test the soulstamps.

Gaotana seems to have the most integrity of all those palace staff, as he alone regrets the need to forever silence the young Forger after she completes the stamp. So when he criticizes Shai’s choice of profession—thief, Forger, abomination—Shai feels his disappointment keenly.

Why? Gaotana thought again. Why would someone capable of this artistry, turn to forgery?…Why not be a true artist?”

Aarcanum-unboundednd now she has to trick him—just to escape with her life? It made my heart hurt just thinking about it!

Overall:

I love the human psychology and the theme of cultural misunderstanding in The Emperor’s Soul. And, of course, I love the Asian-inspired stamp magic. It ties in with the “form” type magic present in Stormlight Archives, I think, too—or it sounds like it does, anyway. In fact, I love the format and pacing and characters and everything about this story! I’m so happy it was included in Arcanum Unbounded: The Cosmere Collection, even though it was published previously. I kinda wish we could hear more about Shai because her potential as a heroine is limitless; but I understand that Sanderson wants to finish a few series before starting an entirely new one, haha.

Recommended To:

Although the novella is set in the same universe as Elantris, the reading order doesn’t matter. In fact, this might be a great introduction to Sanderson’s work, if you’re not ready to jump into The Way of Kings. There’s no fat to trim.

*****5/5 STARS

wordsofradiancecover2

About:

The Way of Kings launched readers into Roshar, the world of The Stormlight Archives, by introducing us to key members of the cast. We learned Kaladin’s backstory and we got some teasers about the magic in store for us in this ten book series. But as you can probably tell from the title of book II, Words of Radiance, this second installment begins revealing some of those secrets we wondered about in book I: secrets about the Radiants, about spren, about voidbringers and parshmen, and about the mysterious oaths that gave Kaladin his own powers in the exciting battle scenes of book one.

And Bonus!

Shallan is the backstory character for this second book, and behind her veneer of “scholarly Brightness,” she hides some pretty dang scary secrets. Epic High Fantasy published March 4th 2014 by Tor Books.

SPOILERS FOR BOOK 1! Not too many, but there’s at least one big one!

And if I tried to summarize book II, I would spoil it, so I’m going to skip the plot details. Because the actual plot-development of a ten-book series like this is so slow, revealing almost anything will seriously, seriously spoil the books. In fact, here’s my advice: if you like high fantasy, I recommend just skipping the rest of this review and picking up The Way of Kings. But if you want more than my blanket recommendation, by all means read on…

Thoughts :

I seem to be in good company when I express my potential inability to properly review Words of Radiance. The Way of Kings was my #1 favorite read of 2016, but book II is even better.

The pace starts off at a sprint and pretty much keeps going, only slowing down in Kaladin’s POV sections and during the Interludes. Even Shallan’s backstory feels like forward motion as we learn about her past and how it affects her present-day narrative. And there’s plenty of conflict to keep the main storyline hopping, too, as two major high princes of the war camps openly battle each other for allies and the prophesied Desolation draws nearer, clue by menacing clue.

As in book I, Dalinar Kholin continues to cop a King Arthur-like role, working to bring together Roshar’s equivalent of the Round Table. He pushes the main plot forward in a way lesser-ranked characters don’t have the ability to do. And it’s. So. Exciting! He doesn’t get as many scenes in Words of Radiance as in The Way of Kings, but I’m looking forward to looking backward on his life. He’ll get his backstory eventually, I’m sure….and it sounds like he was kind of a bad boy.
words-of-radiance2
Kaladin, my favorite narrator from book I, spends most of book II fighting metaphorical demons from his past. He leaves book I as an angry, bitter soul, despite managing to pull himself and his men from the depths of Hell by his cracked and bloody finger nails (with Syl’s help, of course). Basically, he wavers back and forth on one all-important character-building and plot-development decision, and can I just say that it’s completely agonizing to read about? Haha. But in a good way. That way a good book can give you an ulcer.

And SHALLAN! I literally cheered (on Goodreads) when we started getting Shallan’s backstory! In book I, Shallan’s tense narrative feels like a subplot (as opposed to Kaladin’s and Dalinar’s sections, which interact more); but in book II, Shallan slams herself into the main plot, refusing to be benched from the action. Now that Sanderson has loosed her into the middle of things, Shallan is a really really really ridiculously good lookin-…I mean, proactive narrator. I love her! Like many of Sanderson’s women characters, she continues to challenge the status quo for women in ways that make for totally entertaining or enlightening moments of social impropriety. I could go on and on about the characters, all of whom are doing interesting things (Adolin and Jasnah Kholin, the princes of war, the bridgemen…even Renarin Kholin and the spren!).

But I must mention the plotting and worldbuilding: the new secrets revealed in Words of Radiance color both Shallan’s arc and Kaladin’s in really engaging and interesting ways, not to mention how they set up the plotlines of the series…and I can’t share any of them here because they would spoil you 😉 But rest assured, we learn a ton about Roshar and its history in this book.

Everything about Sanderson’s writing, in this series, distinguishes itself noticeably above the first books I read by him (his original Mistborn series, which I enjoyed largely for their setting, creatures and plot twists). In terms of humor and messaging, there’s no comparison. I can’t stress enough the subtle and effective way Sanderson manages to keep up a running commentary on big topics, especially racism, elitism/classism and sexism. He does it with genuine insight and emotion and without harping on any crowd in particular. Kaladin’s sections in this book strike an especially thematic chord, as he deals with the trying situation of being a powerful darkeyes in a culture of elitist lighteyes:

‘…Of course. I keep looking at those captain’s knots on your shoulder, but—‘

‘But I’m just an ignorant darkeyes.’

‘Sure, if that’s how you want to put it. Whatever.’”

Yeah, that’s gonna put him in a great mood, haha. And as I mentioned earlier, Shallan’s narrative also shares moments like this. Here she’s remembering some advice from her enormously pragmatic mentor Jasnah Kholin, as she masters the art of [Highlight to read SPOILER: conning everyone around her].

‘Using a fetching face to make men do as you wish is no different from a man using muscle to force a woman to do his will,’ she’d said. ‘Both are base and both will fail a person as they age.’”

Yeouch!

I really enjoyed alternately reading and listening to this book, as I did with book I. (Unfortunately, I don’t have the time to sit and read through back-to-back tomes of 1,000+ pages, but this worked out really well!) I recommend either or both forms; get ready for some late nights!

Overall :

A High Fantasy that reads quickly, despite its huge scope, largely because of the highly personable cast of humans and other species. The series will give you a second home for 10,000+ pages—and give you a serious book hangover.

*****5/5 STARS

crossroads-of-canopuAbout :

The opening novel of Thoraiya Dyer’s “Titan’s Forest” series takes place in the world of a giant forest. Three realms live at different levels of this forest: “Canopy” claims the privileged position at the treetops, Understorey clings the boughs, and “Floor” settles in the shadows at the foot of the trees.

Crossroads of Canopy opens in Canopy, the most privileged of the three realms. Here, thirteen theocracies rule the Canopian citizens and interact through the usual ways of war, trade and peace. When a god or goddess dies, they are reincarnated into the body of a human babe. Unar lives in the Garden, a theocracy ruled by the goddess, Audblayin. Having run from poverty and barely escaped slavery, Unar plans to find glory by winning the position of Audblayin’s next bodyguard. But she becomes sympathetic to the slaves from the lower realm of Understorey, a complication that gets her into trouble with the Gardeners.

Then, suddenly, Audblayin dies. With her death, the magic that bound Unar to service and mandatory abstinence disappears, and new, overwhelming distractions get in the way of her plans…Crossroads of Canopy is fantasy published by Thoraiya Dyer. Published January 31st 2017 by Tor Books.

I requested this one immediately, when it popped up on Netgalley. Look at that cover. And the description?! Sounds amazing, right?

Unfortunately, I just couldn’t get into it and ended up DNFing it at 47%

Why DNF?

When I started Crossroads of Canopy, I expected political divisions among the theocracies, adventure among the trees and a sense of wonder about the gorgeous forest realms. I hoped for some interesting philosophy about the religions, perhaps debated among friends.

But this book focused on other things, and unfortunately I struggled to connect with the characters, who often provoked each other with hostile attitudes; also, most of the action felt uninteresting and incidental to the plot. The purpose of each scene got lost in Unar’s focus on other things, mainly her sexual awakening.

Following the death of the goddess’s abstinence magics, most of the cast seems fixated on sex and sexual organs—and we’re not just talking about during a few sex scenes. One minute, we’re discussing religions/climbing gigantic trees/social inequality, and out of the nowhere, we’re talking about male “organs” and lady “flaps” and unrequited crushes.

Some of this makes perfect sense and would have been fine, had it remained a minor distraction from Unar’s plans; but it goes overboard and we end up spending lots time oogling Unar’s love interest or exploring Unar’s theories about masturbation when meanwhile, we only know the names of three of Canopy’s thirteen theocracies.

Since Crossroads of Canopy is book 1 in a series, the author seems to be taking her time in exploring the world (and adding in sexual tensions and drama-rama to keep us interested) instead pushing forward with the plot. Unfortunately, while the descriptions did a great job portraying the social stratification, I felt like they neglected other areas of worldbuilding—although some of the imagery of the garden flowers blew me away. Clearly Dyer spent a lot of time developing the flora of her three realms. Check this out:

The exotic plot was filled with rare blue and bronze-colored grasses from the places where Floor met the edge of the forest. A messy hedge of maroon guavas, interspersed with purple sugarcane thickets, formed a semicircle around the western boundary.”

Overall :

The worldbuilding has lots of potential, if you find the style appealing, but the book just moved too slowly for my tastes.

Recommended To :

Reads who might enjoy slow worldbuilding through the eyes of a single narrator. Also, readers who really appreciate gender and racial politics might enjoy the book’s diversity enough to keep reading. A couple of Goodreads reviewers really enjoyed the book for that reason.

Thanks so much to Thoraiya Dyer, Tor and Netgalley for this e-arc!

the-witch-of-portbello

What happened to Athena? 

About :

Athena was a lot of things, but nobody’s labels seemed to stick. Everyone who knew her had an opinion…but did any of them really know her? Told in “transcripts” taped by Athena’s “biographer,” The Witch of Portobello is an unusual mystery tale. Not only does the reader discover Athena, Athena discovers herself—through the eyes of others. The Witch of Portobello is adult fiction by Brazillian author Paulo Coelho and published in 2006. Coelho also wrote The Alchemist.

Thoughts :

What happened to Athena? This question drove my interest in The Witch of Portobello. Early on in the transcripts, we learn from several of the narrators that Athena was murdered. But how? And by whom? Details, details!

This is the second Paulo Coelho novel I’ve listened to, and I enjoyed it as much as the first (The Alchemist). When I realized this was an epistolary novel told through the alternating “transcripts,” I worried that I might confuse the narrators over audio; but it worked out just fine, although I occasionally had to rewind to figure out who was speaking.

We hear the story of Athena’s journey through the eyes of her parents, her teacher, a besotted journalist and his ex-girlfriend…and they all share really strong opinions about her! Conflicting opinions! It was so entertaining to go from the love-struck journalist to his poisonously jealous girlfriend, etc. Athena evoked strong reactions wherever she went.

The central question of the novel relates, of course, to self-discovery. (If you’ve read anything by Paulo Coelho, you probably know how important this theme in his fiction.) Here’s the pitch:

How do we find the courage to always be true to ourselves—even if we are unsure of whom we are?

While Athena discovers her own identity, we hear a lot about the New Age beliefs she comes to devote herself to—seriously, a lot. And they’re weird. As a foster-child adopted from a Transylvanian gypsy woman, and as a young mother, divorced and cast from the Catholic church, Athena struggles to recover from loads of internal wounds. She searches for her identity in a goddess who may or may not speak through her (depending on who is narrating at the time) and trances and dances and other, er, strange places. I admit that sitting in on these meetings is a little awkward, but the rotating narrators make it more fun than preachy. I love when authors use a multitude of narrative perspectives to share different versions of the same story, ultimately leaving the interpretation up to the reader.

And anyway, the central mystery—“What happened to Athena?”—has such a strong pull that I would have listened through ten more of her bewildering New Age sermons just to find out.

And then that surprise ending! Good stuff.

Overall :

A short, refreshing contemporary mystery by the bestselling author of The Alchemist.

Recommended To :

If you don’t mind wading through the weird stuff, I think you’ll be hooked by this posthumous tale of Athena’s self-discovery. Some have complained that it’s too preachy—most of Coelho’s books could probably find warm spots on those lists of “most controversial books”—although I didn’t mind at all. It’s a relatively short book and, I think, really brilliant.

****4/5 STARS

The past becomes a continuous future, unless you break the Change…No further analysis!

About :

Arienrhod, the Snow Queen, rules over the planet of Tiamat. She won the right to rule during Tiamat’s 150 year winter cycle, and she stays young and immortal on the blood of the dolphin-like mer. No one understands the immortality, but clues point to remnants of the ancient “Old Empire”…

Unable to explain the mystery, Arienrhod embraces eternal life and has decided that her own rule really should extend beyond the planet’s winter cycle and further, into the summer years. Several of her potential plans to that end appear to be bearing fruit.

If only that troublesome police chief, Jerusha, would stay out of her way. If only Arienrhod’s clone, Moon Dawntreader Summer—a Summer native, raised to understand and eventually manipulate the naiveté of Tiamat’s technologically-backward Summer natives—would heed the Winter queen’s call to the great royal city of Carbuncle. If only Moon’s cousin and pledged, Sparks Dawntreader Summer, would love her, or at least both of them…

One way or another, the Queen is determined to rule this planet forever. And the Queen always gets what she wants. The Snow Queen is classic hard sci-fi authored by Joan D. Vinge, originally published in 1980 and republished several times since. First of a series. Won Hugo Award for Best Novel (1981), Nebula Award Nominee for Best Novel (1981), Locus Award for Best Science Fiction Novel (1981).

Thoughts :

Coming in at 536 pages, The Snow Queen is a monster of ambitious character- and worldbuilding, inspired by Hans Christian Anderson’s fairy tale of the same name. While the novel takes time to come into its own, its depth becomes clearer as the clues gradually unfold to reveal the full picture of The Snow Queen Cycle universe. Two of the main narrators—The Winter Queen and her young clone, Moon—have information unknown to the other, and the large cast of characters (including Moon’s lover Sparks and the police chief Jerusha) adds other pieces to the puzzle. With patience, I found myself quite taken with the universe.

Moon and Sparks are cousins, pledged in their Native sort of “marriage.” The young lovers have committed to spending their lives together, no matter what, and to Moon, this means they will both become sibyls of their Native goddess, the Lady of the sea. But to their joint dismay, only Moon is chosen, and Sparks leaves both her and their home for the royal city of Carbuncle, hurt and confused about his own future.

Sparks is not wholly Summer Native. Though he never knew his Offworlder father, he spent his childhood dissecting technology that other Summer Natives of Tiamat reject in favor of simple lifestyles. On Carbuncle, he quickly finds that his naiveté will make life difficult…until he draws the attention of the Winter Queen herself.

Meanwhile, Moon learns the art of the sibyl, connecting with the unearthly reservoir of knowledge that can perfectly answer any question (which she assumes is from her goddess, the Lady…). But when the Queen summons her to visit her cousin and lover, Sparks, on Carbuncle, she determines to make the trip.

Along the way, she is kidnapped and taken Offworld, an act that will banish her from ever returning to Tiamat—by law, and by physics. Soon, the season will change into Summer, when all technologically-savvy Winters will leave their colony and travel back to their homeworlds–and the stargate to Tiamat will close. And anyway, once “Offworld,” sibyls aren’t allowed to return to Tiamat, for reasons that not even the queen knows all about…So now Moon must stay on this colorful new planet of Kharemough, forever, or so say her kidnappers. But Moon won’t give up on Sparks that easily.

As Moon plans her return to Tiamat, the Winter Queen, who mirrors Moon with perfect physical precision, slowly poisons young Sparks with her power-hunger. Eventually, she corrupts him into breaking his pledge to Moon and hunting out the mer blood for her immortality. Reveling in her success, the queen hatches a plot to live forever with her newest consort.

I was able to settle in and get swept away by the vision of the book, although it did take some time for me to feel committed and interested in the plot and characters. Partially, this is due to Vinge’s slow pay out of answers to our many questions. We’re also following quite a large cast of characters, so the desire lines can be difficult to follow and slow to develop in urgency.

Unfortunately, the characters grew on me very slowly, although I loved the awesome police chief, Geia Jerusha. I wish we could have spent more time with her. However, almost every character does have complex, grey-scale morals and motives—even the strong, well-developed secondary characters—so even if it can be hard to like them, they are interesting to read about (and watch tumble into the dark depths of their ambition, muahahahaha!).

The writing itself has little feel or atmosphere, although it does reach literary heights in several places. I found it difficult to connect with, during a lot of the book.

But even with its slow-burn plot, difficult characters and remote writing, The Snow Queen is a hard sci-fi you can get lost in. I’ve been preoccupied by its exploration of colonialism, sexism, feminism, technology and religion in the days since I finishing it; I would certainly be interested in exploring more “Offworld” planets, whose politics and technology I found very interesting. I’m not in a hurry, at the moment, but perhaps in the future.

Overall :

Despite my difficulty in connecting emotionally with this book, The Snow Queen is hard sci-fi you can get lost in.

Recommended To :

The Snow Queen reminded me very much of Julian May‘s Pliocene Exile saga ( The Many-Colored Land ). They read similarly in many ways, although the latter moved slightly more quickly, with its killer premise. I would recommended The Snow Queen to hard sci-fi fans looking for a complex, grey-scale space opera.

****4/5 STARS

shadowsofself

About :

A year following the events of The Alloy of Law, Waxillium Ladriam has successfully retired from The Roughs into the city of Elendel and managed to compromise between his “lawman from the Roughs” and “rich city lord” responsibilities. He still fights crime, but he manages to fit in a party, here and there, with his respectable fiancée, Steris.

But the city of Elendel has grown more restive, even in the last year. Labor workers riot, religions battle for worshippers and everything else that might go wrong in a young, developing city, does. Wax, his sidekick Wayne and their associate, Marasi, now a newly-minted constable, work together to find the source of the city’s tensions, which seem to revolve around the possibly-corrupt Governor Innate. But at the center of it all, they discover a rogue kandra, a creature which is considered an ancient servant from the time of the last emperor, Elend Venture (detailed in the first three Mistborn books).

And Wax could never have anticipated the staggering personal consequences of involving himself with this particular investigation…not that he had a choice. Shadows of Self is an adult western fantasy authored by Brandon Sanderson and published October 6th 2015 by Tor Books. Set in the Mistborn universe.

Thoughts:

‘Out of work,’ Marasi thought. Too many idle men out of work’…

The governor had recently given political speeches to these men, making promises. More coach lines to compete with rail lines, going places the railroad could not. Higher tariffs on imports from Bilming. Empty promises, mostly, but men losing hope clung to such promises…How would people react if they began to wonder if the governor, Replar Innate, was as corrupt as his brother?

‘A fire is kindling in the city,’ Marasi thought.”

And Wax finds himself at the center of the fire, yet again. As The Alloy of Law explores Wax’s identity crisis—is he a Roughs lawman? Or a respectable city lord?—so Shadows of Self forces him to face the tragic death of his girlfriend, Lessie, over a year before. He never recovered from her loss, and his heartache shows in his emotional distance from both his betrothed, Steris, and from constable Marasi, whom he rejects even as a colleague after she expresses her admiration of him. I didn’t anticipate the direction of this novel at all, but that’s part of why I LOVE IT! Sanderson incorporates Harmony, Waxillium’s past and the kandra (which are an awesome throwback to the original trilogy!) to add an emotionally potent character arc to the normal adventure and mystery of an Alloy Era novel.

The mystery plot ties in directly with the character arc, too. I love how Wax and Harmony brainstorm together about how to deal with the rogue kandra:

‘One of your ancient servants,’ Wax said, ‘has gone mad and is killing people.’

‘Yes.’

‘So stop her!’

‘It is not so simple…Something is wrong, unfortunately.’

‘What?’ Wax asked.

God was silent for a time. ‘I don’t know, yet.'”

Shadows of Self totally levels up the series. Everything has improved on the last book (which I also loved), from the secondary characters to the metal powers to the action and the humor. I had been leaning toward a 3.5 stars for the first book until the explosive ending, which earned it 4 stars. But Shadows of Self was clearly a 5 star read from the beginning.

As with book 1, I never wanted to put this second installment down, and the patented Sanderson twist got me again in the best way. I was desperate to start The Bands of Mourning after finishing Shadows of Self. Of course I didn’t have it on hand, and of course I had another book to finish at the time. But the Sanderson Epoch isn’t over yet! And I suspect it won’t end with Bands of Mourning, either…

Overall :

I NEED BANDS OF MOURNING!! Immediately!

Recommended To :

If you’ve read this far into the series, I say ‘Don’t stop now!’

*****5/5 STARS