The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson

Mr. Utterson is the respectable sort of gentlemen lawyer who reserves judgement on his friends.

‘I incline to Cain’s heresy,’ he used to say quaintly. ‘I let my brother go to the devil in his own way.’”

But when his mild-mannered friend-about-town, the beloved Dr. Jekyll, seems to have fallen under an evil man’s influence—one Mr. Edward Hyde—even the reserved lawyer Utterson feels the need to check in. But though Dr. Jekyll assures everyone that all is well with him and Hyde, the lawyer watches his friend’s deterioration and increasing secrecy with grave concern…The Strange Case of Dr. Jekyll and Mr. Hyde is classic adult horror authored by Robert Louis Stevenson and originally published in 1886.

Everyone probably knows the basic happenings of this famous short story, but my post will take the form more of “discussion” and less of a “review,” so if you want to avoid spoilers about the specifics, you might want to skip the rest. My statute of limitations on spoilers ended at “one century old” Lol You could also go read the story right now (it’s short and free on Kindle!) and come back when you’re finished. Otherwise, read on, reader, at your own peril *evil cackle*

Thoughts (Spoilers Ahead):

We read the “strange case” through the eyes of Mr. Utterson. Slowly, occasionally ponderously, but always in that charming 19th century way, he tells us of a brutal murder committed by Mr. Hyde, who then disappears without a trace. He describes Dr. Jekyll’s subsequent deteriorations and disappearance. And, finally, through heavy use of the “confessional missive” trope so popular during this time, he learns—and we learn—the details of Dr. Jekyll’s demise.

In fact, Dr. Jekyll’s own letter tells the full story. He describes his life as,

nine-tenths a life of effort, virtue and self-control.”

But that remaining 1/10th of “badness” manifests as Mr. Edward Hyde, a degenerate through whom Dr. Jekyll allows his baser instincts to rule and be separate from his “good” self. I say “allows” because he must take a potion to induce his transformation into Hyde…at least, in the beginning. But when he transforms, Mr. Hyde runs wild, spending himself in moral filth. Jekyll feels no fear or disgust in looking at his baser nature, as others do. For,

This, too, was myself.”

At least, he feels that way…in the beginning.

As time wears on and Jekyll finds himself relaxing into and enjoying the freedom of Hyde’s reign, he suddenly begins changing into Hyde—without taking the potion.

Uh oh.

Under this strain of continually impending doom and by the sleeplessness…I became, in my own person, a creature eaten up and emptied by fever, languidly weak both in body and mind, and solely occupied by one thought: the horror of my other self.”

That line contains all the real horror of the situation, to me. He knows what’s coming, and he dreads it, but he can’t stop it anymore. His repeated choice to transform has finally become his chosen status quo. A habit.

Stevenson’s tale is more than a moralistic tale, of course. It’s a psychological discussion about the struggles inherent in human nature. It might even be a metaphor for something specific beyond a “habit of being,” such as a cocaine/opium/laudanum habit (Jekyll takes a potion to become his “bad self,” after all) or some other vice. I’m not familiar enough with Stevenson’s life to know what he might be talking about lol

And of course it’s a horror story. I think the horror comes from the knowledge that Dr. Jekyll’s choice belongs to all of us: this is every man’s and every woman’s choice. We can all choose to free our baser instincts when we think we can get away with it and avoid besmirching our “good” selves. But soon, we lose the choice—soon it comes alive and chooses for us.

*shiver* 

Anyway, that’s what I thought. Have you read this one or seen one of the many tv shows, graphic novels or other media based on it? What do you think it’s about?

Riders (Riders #1) by Veronica Rossi

I hit so fast it felt like I landed everywhere at once—feet, a**, head.

The last thing I remember was hearing the crunching of bones in my arm and my legs. And that was it.

I was done.

About :

Gideon Blake boarded a plane for Fort Benning the day he got his high school diploma. But during his training to become an army ranger, he died in a parachuting accident.

Then…he woke up. Impossibly, he’s soon healed, being pursued by monsters and falling in love with a mysterious girl—a girl who refuses to tell him what the heck is going on.

But he finds out soon enough: Gideon is War incarnate, one of the four horsemen of the apocalypse, and he has to find the other three members of his team—Famine, Death and Conquest—before the bad guys do. Riders is ya fantasy written by Veronica Rossi and published February 16th 2016 by Tor Teen. Hardcover, 384 pages.

Thoughts :

Even before I realized that Dan Bittner was narrating the Riders audiobook (which is a huge bonus!), I was hooked by the premise: the four horsemen? Cool factor, amirite?

We start out the story in an interrogation room—after all the action has occurred. A disbelieving, top-secret investigator is interviewing Gideon Blake about said action in some kind of army bunker.

I’m in a small room with pine walls and floor boards. Even the trim is pine, so. Either I was eaten by a tree or I’m in a cabin.”

We quickly learn that the US military rescued Gideon and the other horsemen from some kind of epic failure in Denmark—and that some girl named “Daryn” elected to stay behind. Which upset Gideon so much the army had to tranquilize the kid.

I think someone has a crush 😏

So now, all Gideon wants is to get out of the restraints placed on him by the military, but first he must tell them his story. We learn the details as gradually as the military listeners do.

If you’re starting to hanker after the plot details, trust me, I understand! That’s a feeling I had to get used to during the course of the story. The plot mainly consists of finding the other horsemen (three of whom end up being Americans, which is kind of funny, but they end up traveling to a few different countries anyway) and, in the very end, facing the monsters they’ve been “incarnated” to battle. We do get glimpses of the future conflict in the apocalyptic touches, such as the monsters themselves, the super weapons belonging to the four horsemen and—the coolest speculative element—the supernatural horses featured on the covers of books I and II. But the mysterious Daryn keeps many secrets of their incarnation and missions to herself.

So the conflict comes mainly from the story structure of Gideon’s interview, which is a genius mode of storytelling for Veronica Rossi. Her greatest strength as a writer (imo, of course)  is her character voice. Gideon’s voice, ah! I just love it so much. If you’ve read Veronica Rossi before, you probably know about her way with characters. In Riders, she enriches the YA genre in one very specific way. To explain:

If there’s one cringe-worthy commonality in YA fiction, it’s the girly guys. Seriously, where are all the macho males? I married a manly man and he’s definitely worth knowing and representing in YA fiction. Give me confidence! Swagger! Muscles! Convictions! Loudmouths! Anger issues! I would love to see more testosterone in YA, and I think other genre readers would, too.

So I thoroughly enjoyed Rossi’s extremely successful macho male perspective. Two of the four horsemen have serious aggression issues (War and Death, which somehow doesn’t surprise me!) and it’s interesting to watch them battle things out. Gideon turns into a jealous jerk, at times, but it’s a plausible character fault to go along with his strong leadership tendencies and smart mouth (not to mention his age and circumstances).

Gideon is also completely sassy and hilarious in a very character-specific way.

Her navy-blue suit looks expensive and she has a Ph.D kind of vibe, like she knows everything about something. And wrote a book about it. A civilian. I’d bet anything.”

Now does that scream soldier boy or what?

And the audio narrator! Dan Bittner stole my soul!! He saved Maggie Stiefvater’s Shiver trilogy, for me, by basically BECOMING Cole St. Clair—but this. This is magnificent! Rossi’s and Bittner’s talents really bring Gideon alive, in the Riders audiobook. Bittner seems to go for the voice-driven authors and I’m so glad he does because he rocks their work.

Overall :

I loved this sooo much, it’s exactly my kind of thing, even though there’s little plot involved; most of it is “series set up” and character development. In that sense, it reminds me of Extracted by RR Hayward, which is also a book about “setting up the crew”; but Riders is much funnier and I loved Rossi’s characters far more than Hayward’s.

Recommended To :

I think Riders will be best enjoyed by audiences who look for strong character voice (especially humor) and character-driven narratives over strong plotting. The speculative element, while present, is minimal beyond the obvious “four horsemen” thing. It’s possible that the series as a whole has a fabulous plot; but book II doesn’t come out until next month, so we’ll have to wait and see 🙂 And, of course, I highly recommend the audiobook, although I’m sure the regular book is just as fabulous….

****4/5 STARS

The opinions I share are completely my own and in no way compensated for by publishers or authors.

Bookburners (Bookburners Season One) by Max Gladstone &…

“‘How bad can it be? I’ve never seen a demon attack on the news.’

‘People disappear all the time. All over the world…Lost legions. Lost cities. Have you ever heard of the town of Colebridge, New York?’

‘No.’

‘Exactly.’”

About :

NYPD detective Sally Brooks walks into her apartment one day to find that her techie younger brother, Perry, has come for a surprise visit—needing her help, as usual. This time Perry’s brought a strange book with him, the source of his latest troubles.

Things just get stranger when the Bookburners kick down Sal’s front door, demanding the mysterious book. They arrive too late to save Perry from opening the book and releasing a destructive power from inside.

Next thing Sal knows, her brother is hospitalized and comatose and she’s chasing down demon-possessed books of power with the same team who tried to save her brother. Her new team, the Societas Librorum Occultorum, works for the Vatican by containing the threats posed by magical artifacts. Sal wants in—if only to find some way to save her brother. Bookburners is an adult urban fantasy collection of serials, hardcover, 800 pages. Published January 31st 2017 by Saga Press. Authored by Max Gladstone, Margaret Dunlap, Mur Lafferty & Brian Francis Slattery.

Thoughts :

I first heard about Bookburners in a Fantasy and Science Fiction Magazine review, and though I was interested in it, I couldn’t afford to pay $1.99 per episode (season one has 16 episodes) because I didn’t have a job at the time. But soon after that, I heard about Max Gladstone’s Craft Sequence books and immediately fell hard for the humor, worldbuilding and characters. So I was pretty stoked when I heard that Saga Press was releasing a collected volume of all sixteen episodes in season one. I’m happy to report that season one easily lived up to my atmospheric expectations. If you pick up this collection, get ready to kick some demon butt with the Bookburners!

I love the premise of the worldbuilding: that books can be a window to the dangerous and mysterious world of demon magics and the Vatican protects the world from said dangers. Each episode has a full arc dealing with a new demonic or magical threats, and it never fails to deal moments of genuine urban fantasy “cool factor.” Whether it’s possessed restaurant owners, deal-making machines that steal knowledge from your mind or hand-drawn “tornado eaters” come to life, I guarantee you’ll enjoy the imagination of these four top notch authors. Some episodes also really hit home emotionally. One of my favorite episodes is Big Sky by Slattery, which is set in the US and just so moving. It feels like a western tall tale. As Sal walks through a small town Oklahoma in search of a mysterious pulse of magic, she reflects on the homey scene:

It was all so recognizable to Sal. She didn’t have a general theory about people—she’d seen a little too much for that—but if someone had forced her to give one, it would have ben that most people don’t ask that much from their lives. They want a roof over their heads, a job that isn’t too terrible, a couple of days off to relax now and again. If they have kids, they want to do okay by them. That’s about it.”

It’s an emotional moment for the cop, who doesn’t get to see this side of life in her line of work.

The writing feels a little choppy in the very beginning episodes (especially if you’re breathlessly anticipating Max Gladstone’s word perfect “Craft Sequence” humor, as I was), but it quickly smoothes out and regardless I enjoyed every episode very much.

Perhaps most interesting to me about the world of Bookburners is the debate among the characters over how to handle the magic: use it or destroy it? Magic is clearly dangerous, but what if it could be harnessed? Can it be harnessed? The religious members feel so genuine in their convictions, and the secular debaters pose equally strong arguments. It’s a hot topic in this urban fantasy world and I enjoyed seeing it bandied about among the characters.

‘Information is like a contagion. It spreads. Your employers do an admirable job controlling that, but they aren’t the only players in the game. As much as they might want to eliminate the knowledge and use of magic completely, not every vector can be silenced.’”

I love how Max Gladstone engineers all his work to be full of secrets, questions and conflicting opinions, a mirror of life itself. It reminds me of Brandon Sanderson’s Way of Kings quote, “The purpose of a storyteller is not to tell you how to think, but to give you questions to think upon.” I love it when an author can channel that into their storytelling—and make it cool! [Also, highlight to view SPOILERY discussion: Even though Sal’s new team keeps emphasizing how much they trust each other in spite of their differences of opinion, I keep wondering if any of them are going to split over the issue of whether to use magic or destroy it, perhaps with Asanti and Sal forming a splinter group. That would be nuts! But I could see it happening! I don’t know how I’m going to wait to read season two, ahhh!]

And speaking of characters, everyone gets their own full, fascinating arc throughout the season, and often an episode laser-focuses on one or two characters. I especially fret over poor, damaged Liam, a studdly gym rat with a history of demon possession and a rocky, but fervent lifeline in the church. The conflicts surrounding him have hugely personal stakes (and he does tend to attract ALL THE DRAMA, lol), although Grace, the kick-butt ninja of the team has her own crazy magical secrets and is a very close second favorite…and Father Menchú, now there’s a cool priest…you know what, they’re all awesome. Forget I said anything about favorites.

Overall :

Fantastic and I can’t wait for season 2. We will get a compilation of season two, right? Pretty please?!

Recommended To :

Readers looking for a fresh take on the demon hunters trope.

4.5/5 STARS

Moon Called (Mercy Thompson #1) by Patricia Briggs

“I am a walker. The term is derived from ‘skinwalker,’ a witch of the Southwest Indian tribes who uses a skin to turn into a coyote or some other creature.”

About :

Mercedes “Mercy” Thompson runs a Volksvagen garage in Washington and keeps largely to herself. She’s a “walker,” a magical shapeshifter, and she can slip easily into the form of a coyote. Her brand of shapeshifting remains a secret from almost everyone; only the Fae have revealed themselves to the mundane world, and they bear the brunt of significant persecution. As a result, the werewolves, vampires and other supernatural spooks stay underground—and Mercy prefers to do the same. It’s just easier.

But Mercy’s connections with the local magical presence are finally coming around to “bite” her. When a runaway werewolf appears in her garage asking for a temporary position, Mercy gives him a job and hooks him up with the local werewolf pack leader, Adam, who is also her sexy neighbor. But somebody is looking for the runway—and they don’t mind confronting Mercy or Adam to do it. Walker and werewolf race the clock to find the man behind the mystery before more innocents suffer. Moon Called is Paranormal Romance/Urban Fantasy written by Patricia Briggs and published January 31st 2006 by Ace.

Thoughts :

I picked up the first of the Mercy Thompson series because I’ve been wanting to get a better feel for Urban Fantasy, and Niki over at The Obsessive Bookseller told me it was a great place to start. (Thanks Niki! 🙂 ) I also love reading about Native American cultures, so of course I had to start with this series. It sucked me in immediately with the introduction of the runaway and, no joke, the “inciting incident” made me cry! (I’m totally a crier 😋)

Because the cast of this first installment remains relatively small, readers easily get to know everybody. In Mercy we find both a pleasant person and a decent heroine—hardworking and easy to like, lacking gimmicks to rub readers the wrong way. I do wish she had some chick friends (although I like all her guy friends, too). But I enjoyed hearing about her Native family history and how her father was a Walker.

I listened to Moon Called alongside reading an eARC of Melissa F. Olson’s Midnight Curse, so it was fun to compare the two books as I get to know the genre:

Midnight Curse has a stronger mystery element than Moon Called and I enjoyed guessing at the twists. Midnight Curse’s characters also really got to me, as evidenced in my IMPASSIONED REVIEW, haha. But the romance arc kept me from loving Midnight Curse or wanting to continue that particular series (although I’ll definitely consider trying a future new series by this talented author).

As for Moon Called, I just plain liked everything about it! Although nothing blew me away in this first installment (it is a first installment, after all, and only 288 pgs), nothing repelled me either, and Briggs develops the worldbuilding impressively well for such a short volume. It thoroughly introduces the werewolf world, and I’m looking forward to exploring more. (The second book sounds like it might tackle the vampires.) Although I didn’t follow the mystery as well, that could be in part due to the nature of the audio experience. I prefer a book like this as my intro to a series, I think.

And the thing that topped off Moon Called, for me, is the great narrator, Lorelei King. I’m always amazed when one narrator can pull off a whole cast so well.

Overall :

I enjoyed pretty much everything about this short and sweet audiobook. I actually felt rested after finishing it. Just something nice and fast with a fun world to inhabit for a few hours. I’m definitely planning to continue the series.

Plot: 3 Stars
Characters: 3.5 Stars
Worldbuilding: 4.5 Stars
Audio: 5 Stars

****4/5 STARS

Recommended To :

Anyone looking for a quick start to a new Paranormal Romance/Urban Fantasy series. I would say this tends more towards the “paranormal romance” side of the spectrum, although the romance is largely a background element of this first installment; but the romantic tensions swirl beneath the surface of Mercy’s interactions with the two male werewolves in her life. So if that sounds like fun, I bet you’ll enjoy Moon Called!

Midnight Curse (Disrupted Magic #1) by Melissa F. Olson

“Whoever had forced Molly to kill her friends wanted her to get caught, go on trial and be executed before she had a chance to prove her innocence.”

About :

Scarlett Bernard is a “null,” a human who cancels out any magic around her. Her abilities come in handy on the job—she works to keep the magical world a secret from normal humans in the city of LA. She’s actually starting to enjoy her job, although she’s also enjoying the good life with her werewolf boyfriend, Eli, outside of work.

But duty calls when someone magically forces a vampire friend of hers into murdering 12 USC roommates. Scarlett’s job becomes twofold: hide the magical involvement from the humans and find out who wants to hurt her friend.

Nobody believes in the vampire’s innocence, but Scarlett is determined to find the real murderer with a little help from an old LAPD buddy. Midnight Curse is adult UF authored by Melissa F. Olson and published February 7th 2017 by 47North.

I was browsing Netgalley for a promising new series when I ran across Midnight Curse, first in the new “Disrupted Magic” trilogy. It wasn’t until after I requested the book that I learned about a previous trilogy starring Scarlett Bernard, but I jumped in anyway.

And Olson had me from the first line.

Thoughts :

Scarlett is at an art show with her boyfriend when she gets a creepy, blood-spattered SOS note delivered from her old vampire friend, Molly. The note asks Scarlett to come meet her secretly, so Scarlett blows off her boyfriend, hoping he’ll understand and let her handle it. After all, if she tells him, he has to tell his werewolf pack leader, and then the secret’s not so secret anymore.

But things careen out of control and soon, Scarlett finds herself running damage control on all fronts while still trying to uncover the real mass murderer—and their veiled purpose. The story unfolds in the perspectives of both Scarlett and her LAPD friend Jesse, and a fantastic first 50% ensues. Scarlett and Jesse keep the twisty mystery plot moving, interspersing their investigation with humorous one-liners, psychologically layered character dynamics and precise, interesting backstory and worldbuilding.

Because I jumped in without reading the earlier books, I worried that missing information would muddy the experience for me. But Olson integrates explanations smoothly without info-dumping. The worldbuilding becomes clearer with every page. A lot of the mystery developments do rely on past history and knowledge of Scarlett’s manifold abilities, but I still enjoyed the plot very much.

So with all this going for Midnight Curse, why did I rate the book at 4 stars instead of 5?

It’s largely due to a subjective reaction to one relationship arc that left me feeling bitter during the second half. Throughout the novel, we see the themes of relational control and abuse taken to different extremes, and I didn’t enjoy how it played out in Scarlett’s case. I’m not a huge fan of these dysfunctional relationships from hell, haha. [Highlight to view SPOILER: I struggled with Scarlett’s breakup because she kept running away from communication and playing petty games with Eli. Maybe if she had invited him along on one of her jaunts, instead of taking off with Jesse (whom she’s already developing feelings for), Eli could have understood her strengths or been part of her team or something like that. I don’t buy the irreconcilable differences crap because my husband and I are about as different as two personalities can get and we somehow manage to talk things out like adults. Going on six years of blissfully wedded life, I value faithfulness very highly in relationships, so Scarlett’s behavior irked me beyond what another reader might have felt.]

But I get the feeling that Olson wanted/needed to shake things up for the new trilogy, and my impression of Scarlett suffered without an understanding of the love triangle and character histories of the original series. She came across as very immature to me in this one isolated relationship. She’s a great protagonist in every other way, and in fact, a lot of readers enjoyed everything about the book (the overall Goodreads rating is super high—currently 4.27, wow!), including this arc. Your experience of this relationship arc seems to really depend on your emotional connection to the characters.

Overall :

So while Midnight Curse is a great UF, it left me severely cranky, haha. I probably won’t read any more about Scarlett because I try to avoid getting my heart ripped out; but I’d be down to read more by this author—I loved everything else about the book. I could see a lot of readers giving it five stars.

Recommended To :

I recommend this to readers looking for adult UF with a strong mystery, a fast pace and characters that don’t leave room for ambivalence. I think teens would love it, too, although there’s some language that parents might want to be aware of.

Thank you so much to Melissa F. Olson, 47North and Netgally for this great ARC. I really enjoyed it!

4/5 STARS

The Emperor’s Soul (Elantris Universe) by Brandon Sanderson

‘The woman is a danger…What she does is an abomination.’”

About :

Shai is a MaiPon Forger in a country that despises Forgers as abominations. When she gets captured during a routine palace art theft, she scrambles for an escape plan; but before she gets the chance to spring herself from prison, her captors change the game.

‘She is a valuable tool. This woman can save us. We must use her.’”

They visit her prison cell and demand that she complete a job for them, a job so secret that Shai knows she will be murdered at its close: reforge the emperor’s soul. The Emperor’s Soul is a Fantasy Novella written by Brandon Sanderson and published October 11th 2012 by Tachyon Publications. Hugo Award for Best Novella (2013), Goodreads Choice Award Nominee for Best Fantasy (2012).

Thoughts :

This novella opens with the emperor’s staff debating the fate of their captive Forger, and this first layer of cultural tension immediately intrigued me: What is Forging? Why do they hate it? And why must they use it to save the country?

Nearby in prison, Shai desperately seeks a way out of her cell before the next day’s scheduled execution, and her technique introduces readers to the unique Asian stamp magic of the novella:

To Forge something, you had to know its past, its nature.”

At this point (on like page four), the cultural tension and the magic already have me intrigued. Then the emperor’s councilors arrive and explain the situation to Shai and to readers: the emperor has been attacked and needs a new soul to survive.

Whoa. What?

They grant Shai a stay of execution for the next hundred days, during which she must create the soulstamp—a task that will involve a huge amount of complex, untested magic.

Her ambitious artist’s soul longs to create the perfect soulstamp, but she knows she must prioritize one thing over this primal urge toward faultless creation: she must escape before those 100 days are up or she will never leave the prison alive. The 100 day countdown heads each new section, and I totally felt the squeeze by the end of the novella.

Over the course of the story, Shai uses her magic in a variety of ways: transforming her room, making various stamps to reforge the emperor’s personality and history, etc. But a constant war rages inside her between the need to create a perfect soulstamp and the need to escape with her life. Her escape plan is just one more layer of mystery that kept me reading.

The final layer that got me fully invested in the story relates to the characters. In order to escape, Shai knows she’ll need to do something that makes her cringe: she’ll have to manipulate the elderly Arbiter Gaotana who visits her cell to test the soulstamps.

Gaotana seems to have the most integrity of all those palace staff, as he alone regrets the need to forever silence the young Forger after she completes the stamp. So when he criticizes Shai’s choice of profession—thief, Forger, abomination—Shai feels his disappointment keenly.

Why? Gaotana thought again. Why would someone capable of this artistry, turn to forgery?…Why not be a true artist?”

And now she has to trick him—just to escape with her life? It made my heart hurt just thinking about it!

Overall:

I love the human psychology and the theme of cultural misunderstanding in The Emperor’s Soul. And, of course, I love the Asian-inspired stamp magic. It ties in with the “form” type magic present in Stormlight Archives, I think, too—or it sounds like it does, anyway. In fact, I love the format and pacing and characters and everything about this story! I’m so happy it was included in Arcanum Unbounded: The Cosmere Collection, even though it was published previously. I kinda wish we could hear more about Shai because her potential as a heroine is limitless; but I understand that Sanderson wants to finish a few series before starting an entirely new one, haha.

Recommended To:

Although the novella is set in the same universe as Elantris, the reading order doesn’t matter. In fact, this might be a great introduction to Sanderson’s work, if you’re not ready to jump into The Way of Kings. There’s no fat to trim.

*****5/5 STARS

The Once and Future King & Lots of Quotes

Premise:

T. H. White retells the Arthurian epic with a modern touch. King Arthur attempts to use “Force, the metal illness of humanity” for human good, creating an age of chivalry that will one day come again. Published 1958, considered the literary pinnacle of the fantasy genre.

About:

T. H White actually wrote five books about King Arthur, but only four of them were published together in The Once and Future King. The Book of Merlyn was published later, in 1977. So my copy of The Once and Future King contains The Sword in the Stone (upon which the Disney movie was based, delightful humor and all), The Queen of Air and Darkness (a much darker book about life in the Middle Ages before the Round Table), The Ill-Made Knight (a book about the glorious Round Table and its darling knight, Lancelot), and The Candle in the Wind (about King Arthur, in his weary old age, as his Round Table falls about him in ruins).

What I Liked:

(1) Book I. All of it. It’s adorable, hilarious fun (Merlyn is…so funny. And The Wart is adorable), and it really brings the Middle Ages to life, especially for children. My favorite joust in all of literature:

“The knights had now lost their tempers and the battle was joined in earnest. It did not matter much, however, for they were so encased in metal that they could not do each other much damage. It took them so long to get up, and the dealing of a blow when you weighed the eighth part of a ton was such a cumbrous business, that every stage of the contest could be marked and pondered.”

(2) The whole book really enlivens the Middle Ages in humorous, detailed ways:

“The Dark and Middle Ages! The Nineteenth Century had an impudent way with its labels.”

“Did you know that in these dark ages which were visible from Guenever’s window, there was so much decency in the world that the Catholic Church could impose a peace to all their fighting—which it called The Truce of God—and which lasted from Wednesday to Monday, as well as during the whole of Advent and Lent? Do you think they, with their Battles, Famine, Black Death and Serfdom, were less enlightened than we are, with our Wards, Blockade, Influenza and Conscription?”

(3) T. H. White manages to humanize everyone, especially King Arthur, Queen Guenever and the knight Lancelot, despite their questionable decisions and outright mistakes. Arthur, despite his preoccupation with justice, prefers to overlook the affair between his wife and Lancelot. Lancelot, despite his preoccupation with holiness, cannot keep himself from the queen. And the queen herself?

“People are easily dazzled by Round Tables and feats of arms. You read of Lancelot in some noble achievement and, when he comes home to his mistress, you feel resentment at her because she cuts across the achievement, or spoils it. Yet Guenever could not search for the Grail. She could not vanish into the English forest for a year’s adventure with the spear. It was her part to sit at home, though passionate, though real and hungry in her fierce and tender heart. For her there was no recognized diversions except what is comparable to the ladies’ bridge party of today. She could hawk with a merlin, or play blind man’s buff, or pince-merille. These were the amusements of grown-up women in her time. But the great hawks, the hounds, heraldry tournaments—these were for Lancelot. For her, unless she felt like a little spinning or embroidery, there was no occupation—except Lancelot.”

What I Didn’t Like:

(1) I didn’t enjoy book II or think it necessary. It drags, it’s dark, and most of it seems unnecessary. The point of it is to humanize “the Orkney faction” while Arthur, Lancelot and Merlyn conceive of the idea of “the Round Table.” But mostly, it’s a lot of unpleasant or boring episodic “showing” that could have been condensed into a few scenes. (2) King Arthur’s questions, the questions asked by the whole book, get only very vague answers, at least to my understanding. The thematic questions are mainly these: (a) Why does humanity fight and go to war? (b) How can we stop ourselves from doing so?

His solution appears to be that humanity must rid itself of political boundaries.

“The imaginary lines on the earth’s surface only needed to be unimagined. The airborne birds skipped them by nature. How mad the frontiers had seemed to [the birds], and would to Man if he could learn to fly.” OH, OH, and also EDUCATION! “The hope of making [the new round table] would lie in culture. If people could be persuaded to read and write, not just to eat and make love, there was still a chance that they might come to reason.”

I don’t really mind the vagueness of the dear king’s answer to his own troubling questions; perhaps his are the best humanist answers. And the book is too lovely for me to really mind; the answers aren’t the point, after all. Fortunately, this little piece of culture (or, rather, big piece of culture, coming in at 639 pages), instructs us in history, empathy and how to laugh at ourselves.

Overall:

I loved this book. Everyone who loves fantasy literature, or wants to read just one account of the Arthurian epics, should read this book.

Recommendation:

Book I is a great kid’s book, in addition to being a fun read for teens and adults. Books II-IV are fine for teens +.

*****5/5 STARS

What’s Up Next?

Review Here